A Girl is a Half Formed Thing by Eimear McBride | Open Journal
The carefully chaotic stream of consciousness has been likened to James Joyce for its expansiveness, and to Samuel Beckett for its resistance to the linear. Much like poetry, it’s a deeply moving and emotive mode of storytelling, drawing the reader in to its strange atmosphere; fluid and dreamlike, but often gruelling and nightmarish. The effect mirrors the rattling, ricocheting, tumbling motion of thoughts as they form and arise, especially in moments of turmoil; it is like having direct access to the very raw material of the girl’s thoughts.
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